Chapter 2 Sweet’art tired

Sweetheart herself remained quite silent and pensive for a moment after her little song, as if it had touched some chord of sadness in her heart. Then she nestled her curly head softly against Norman de Vere’s broad breast.

“Sweet’art tired, Sweet’art s’eepy,” she lisped in a plaintive tone, and shut her eyes.

He held her closely in a tender clasp, looking down admiringly at the lovely baby face, fair as carven pearl, and tinted warmly yet delicately as a Mme. de Watteville rose. How richly fringed with thick gold were the full white lids; how lovely the curve of the scarlet lips; how deep the dimple—a perfect Cupid’s nest—in the exquisite chin! His eyes dwelt long and lingeringly on every perfect outline, and he said to himself, with a half smile:

“If she grows up like this, she will give many a man the heartache.”

A sigh chased away the smile, and a cold, cynical look came into the dark eyes, as if some unpleasant memory stirred within him.

The train rushed on through the rainy afternoon, past the swamps and forests, past the unfrequent little towns where they seemed to make the most unconscionably long stops, considering the small additions received to the stock of passengers, and presently it seemed to Norman de Vere that every one was asleep but himself.

The drummers had each taken a double seat to himself, and with silk handkerchiefs over their faces, snored sedately. Even the “little widow,” as Norman called her in his thoughts, had let her arm and head slip down to the back of her seat, and seemed to be quietly sleeping. Sweetheart still lay close in the fold of his strong arm, and though presently the plump little thing began to feel warm and heavy, he would not rouse her, lest he should call her back from her wandering in the beautiful Land of Nod.

“But what a careless little mother!” he thought. “She takes small concern over her baby, leaving her to be nursed and cuddled by utter strangers. Still,” with an excusing thought, “she must be fond of the little one, she has trained her to sing with such wondrous sweetness and accuracy. It is only that she is tired or ill—broken down with grief most likely—and she knows that even rough men are only too proud to play the nurse to her little pet.”

He wondered vaguely if the face hidden under the little poke bonnet and veil were one half as lovely as the one slumbering so peacefully on his breast, and gazing down at little Sweetheart, tried to fancy the cherub face grown older, and the innocent soul grown wise with woman’s lore; but again a heavy sigh heaved his breast and a frown of deep cynicism drew ungracious lines on his high, white brow.

“Heaven forbid! Heaven forbid!” he muttered, with something like impatient wrath. “It seems a pity for this dear little one to grow up so. Yet,” bitterly, “how else could it be, and a woman?”

The early autumn twilight, hastened by the steady rain, began to darken in the car, and the brakeman came in and lighted the lamps.

“A bad spell o’ weather, sir,” he said, loquaciously, to the occupant of the car who had his eyes open. “Uncommon rainy for Florida; been fallin’ stiddy for two days and nights. ’Counts for the few passengers, I ’spose. Well, ’tis er ill wind blows nobody good. Better sleepin’ ’commodations for the passengers,” glancing around humorously; for this was twenty years ago, reader, and before the luxurious era of Pullman sleepers and parlor cars and fast-flying vestibule trains.

Norman de Vere was about to make some brief, courteous answer to the man’s remarks, but he was prevented by a sudden terrible rumble and rocking of the car—the swift precursor of one of those dreadful railway accidents due to heavy rains and weakened bridge foundations that desolate so many hearts and homes. With a swift instinct he clasped his sleeping burden tightly to his breast just as the doomed car reared upward a moment, like a maddened, living creature, only to collapse the next instant with its freight of human souls and go crashing down through a broken bridge into a mad hell of seething, foaming water.

A little river ordinarily insignificant enough, but swollen now to a torrent by incessant rains for several days, had washed all the mortar from the stone foundations of the railroad bridge and weakened it so that the weight of the locomotive had carried it down crashing to the bed of the river and telescoped the train.

When Norman de Vere realized that, but for a sharp blow on the head from a heavy timber, he was unhurt, and that he held the struggling child safe in his arms, it seemed to him that he must have been saved by a miracle, nothing less.

The whole train was a wreck, and but for the fact that the ladies’ car was on top of the débris, he could never have escaped alive. He was wedged between two seats of the car, which lay on its side, the windows uppermost, and over and around surged the raging water, churned into foam by the rapid descent of the train, and by the explosion of the locomotive’s boiler as soon as it touched the river. To add to the horror of the position, the lamps just lighted by the brakeman had exploded and caught fire, affording a lurid light within the interior of the wrecked car.

The child in his arms waked and screamed with sudden terror. He hushed her with a tender word, and listened appalled for another human sound in that terrible tumult of crashing timbers and raging waters.

But no sound came.

He saw the brakeman’s legs sticking out from under a pile of timbers that had instantaneously crushed the life from his body. Turning about in his cramped position, he looked for Sweetheart’s mother and the drummers.

There was no sign of the slender little black-draped figure, but a pair of masculine arms protruded from under an overturned seat. He put Sweetheart down and went to work manfully to extricate the owner.

To his joy, he dragged the man out, stunned, but alive—one of the jolly drummers. Rapidly as he could, he resuscitated him and made him understand their position.

“We will either be burned or drowned if we do not speedily escape,” he said. “But before we think of ourselves we must see if there are any more alive in the car.”

“I’m with you to the death!” the other cried, heartily; then he shuddered. “But this is horrible! How the water seethes over the settling wreck! And it will be on fire inside presently.”

“Be good, little darling!” Norman cried to the whimpering, frightened baby, who sat very still where he had placed her, with a dazed look in her big blue eyes.

Obeying a pitying impulse, he kissed her lightly, then turned to his grewsome task.

The two other drummers were soon discovered, both stone dead, and one horribly mutilated.

“God rest their souls!” cried the drummer, who was a devout Catholic.

He crossed himself, his face pale with grief and horror, then went on with his task. The mysterious woman had not been found yet.

A few steps further on and they began to pull away great fragments of the roof where it had crashed in over the seat where she had been reclining. They were obliged to work very carefully lest she should be pinioned under them yet alive, and they must not crush out the faintest spark of life.

And above them and around them the fierce and swollen river roared like a tiger eager for its prey, while within the narrow compass of the wrecked car the air began to grow hot and dense with smoke from the burning lamp that had sent its blazing oil running about like tongues of flame, devouring all it touched.

A minute more and they found her, dead. Norman de Vere was never to know whether the face over which he had wondered was beautiful or homely. The heavy timbers had mutilated it beyond all semblance of humanity, and he reeled and sickened at sight of the bloody corpse.

“Oh, my God, how terrible!” he cried, and the Catholic crossed himself again. “God rest her soul!” he muttered, then eagerly: “We can do no more. They are all dead. Let us try to save ourselves. We shall suffocate if we remain in here five minutes longer. See the child!”

Little Sweetheart had suddenly succumbed to the heat and smoke, and fallen senseless.

Norman de Vere caught her up in his arms with a cry very like despair.

“Now don’t give way!” cried George Hinton, the drummer, eagerly. “What do you propose to do?”

“Can you swim?”

“Like a fish.”

“So can I. We must knock out that window there. The water will pour into the car, but we must climb through the opening and commit ourselves to the mercy of the river.”